Alpha Odh

b. 2001, Kenya
Alpha Odh combines cultural markers, separate ideas, images, and intuitions in his work, transforming them into intertwined ideas of objects that extend beyond the confines of the canvas. Each artwork serves as a "discursive instruction aimed at imagining or creating the work"—a sketch, a reference, a geometric form, or a line that takes shape only when empty spaces are filled, lines are extended by the viewer's imagination, accumulated experiences, and memories. At that moment, the artwork takes on form, unique to each individual, but this form is never finite. In this way, the artist poses an emotional and intellectual challenge to the observer, prompting them to reflect on the processes of perceiving and constructing reality. Perhaps the reality of objects and foreign cultures is far more complex than we can imagine, failing to align with subjective cognitive paradigms and narrative ways of knowing.

The people depicted by Alpha Odh lack identity or distinguishing facial features. According to the artist himself, identity is insignificant; it is merely a construct in which people tend to get lost. Scratches and stains in Alpha's paintings represent "errors" and the "security" that arises from them. In this case, "errors" are the scars of people who lived in African tribes, which, evaluated by colonists as defects, saved them from slavery.

In 2014, the artist's works were exhibited at the National Museum of Kenya, and later in group exhibitions in Kenya (2021), the USA (2022), Berlin (2022), and at prestigious contemporary art fairs such as SCOPE Miami Beach (2022) and the 1-54 Contemporary African Art Fair in London (2023). In October 2023, from the 1st to the 15th, Alpha Odh worked in a studio in Užupis, and on October 3rd, the first solo exhibition of Alpha Odh's work was opened at the Tumo Gallery.