Hishikawa Moronobu (atrib. / workshop) (菱川師宣, 1618–1694) | Heian Palace Interior Scene (double-page e-hon spread), 1675-1690 | woodblock, 21x30 (32x43)
Hishikawa Moronobu (atrib. / workshop) (菱川師宣, 1618–1694) | Heian Palace Interior Scene (double-page e-hon spread), 1675-1690 | woodblock, 21x30 (32x43)
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This double-page woodblock illustration presents an expansive interior view of a Heian-era palace. Multiple figures are arranged across architectural planes, creating a sense of depth and ceremonial order. The absence of color emphasizes line, pattern, and spatial rhythm. The scene likely accompanied a historical or literary text. Such works exemplify early ukiyo-e’s documentary and narrative functions.
Hishikawa Moronobu (菱川師宣, 1618–1694) - Artists of the Moronobu school continued his emphasis on clarity, narrative, and elegant figure design. These works often focused on historical or literary themes rather than contemporary entertainment culture. The Moronobu lineage laid the foundation for ukiyo-e before the rise of full-color printing. Their prints are now valued for their historical importance and rarity. Many survive as fragments from early printed books. Moronobu’s illustrated books were central to the spread of visual culture in Edo Japan. His ability to organize complex scenes influenced generations of printmakers. He worked primarily in black ink, focusing on compositional strength. Moronobu’s legacy is foundational rather than decorative. His works are essential to understanding ukiyo-e’s origins.
Highest auction record for Hishikawa Moronobu (as of 2026/01/01)
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