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Hishikawa Moronobu (atrib. / workshop) (菱川師宣, 1618–1694) |Court Lady with Poem, 1680-1690 | woodblock, 22x15 (32x22)

Hishikawa Moronobu (atrib. / workshop) (菱川師宣, 1618–1694) |Court Lady with Poem, 1680-1690 | woodblock, 22x15 (32x22)

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This monochrome woodblock print shows a seated court lady accompanied by handwritten calligraphy. The flowing robes and layered patterns emphasize elegance and restrained movement. The integration of poetry and image reflects classical Japanese aesthetics, where text and image form a unified composition. The work likely originates from an illustrated book rather than a standalone print. Its simplicity highlights line quality and narrative suggestion over visual drama.

Hishikawa Moronobu  (菱川師宣, 1618–1694) - Artists of the Moronobu school continued his emphasis on clarity, narrative, and elegant figure design. These works often focused on historical or literary themes rather than contemporary entertainment culture. The Moronobu lineage laid the foundation for ukiyo-e before the rise of full-color printing. Their prints are now valued for their historical importance and rarity. Many survive as fragments from early printed books. Moronobu’s illustrated books were central to the spread of visual culture in Edo Japan. His ability to organize complex scenes influenced generations of printmakers. He worked primarily in black ink, focusing on compositional strength. Moronobu’s legacy is foundational rather than decorative. His works are essential to understanding ukiyo-e’s origins.

Highest auction record for Hishikawa Moronobu (as of 2026/01/01)

Price including buyer's premium: € 57,521 ($ 74,500 )
JAPANESE AND KOREAN ART
17 march 2009,  Christie's
New York NY, United States
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